The Day After is a 1983 American television film directed by Nicholas Meyer. The film postulates a fictional conflict between NATO and the Warsaw Pact over Germany that rapidly escalates into a full-scale nuclear exchange between the United States and the Soviet Union. The action itself focuses on the residents of Lawrence, Kansas, and Kansas City, Missouri, and several family farms near American missile silos. The cast includes Jason Robards, JoBeth Williams, Steve Guttenberg, John Cullum, and John Lithgow. The film was written by Edward Hume and produced by Robert Papazian, with clips from the 1979 Air Force documentary First Strike used.

More than 100 million people, in nearly 39 million households, watched the film when it first aired on November 20, 1983, on the ABC television network. With a 46 rating and a 62% share of the viewing audience during the initial broadcast, the film was the seventh-highest-rated non-sports show until then, and in a 2009 Nielsen TV Ratings list was one of the highest-rated television films in U.S. history.

The film was broadcast on Soviet state television in 1987, during the negotiations on Intermediate-Range Nuclear Forces Treaty. The producers demanded that the Russian translation conform to the original script and that the broadcast not be interrupted by commentary. The negotiations were completed in January 1987; the film first aired in the USSR on May 29, 1987.

Plot

Dr. Russell Oakes works at a hospital in Kansas City, Missouri, and spends time with family as his daughter Marilyn prepares to move away. In nearby Harrisonville, farmer Jim Dahlberg and family hold a wedding rehearsal for his eldest daughter Denise. Airman Billy McCoy, serving with the 351st Strategic Missile Wing, is stationed at a Minuteman launch site in nearby Sweetsage, one of 150 such silos in western Missouri in 1983. Next to the site, the Hendrys tend to their farm chores and mind their children. Background television and radio reports reveal information about a Soviet buildup on the East German border. East Germany blockades West Berlin, and the United States issues an ultimatum and places its forces on alert, recalling McCoy from his family at Whiteman Air Force Base.

The following day, NATO attempts to break through the blockade at Helmstedt-Marienborn. Warsaw Pact MiGs hit Würzburg, West Germany. Moscow is evacuated. At the University of Kansas in Lawrence, Kansas, near Kansas City, the word goes out that the Soviets have invaded West Germany. Soviet forces drive toward the Rhine in an armored thrust. Pre-med student Stephen Klein decides to hitchhike home to Joplin, Missouri, while Denise's fiancé Bruce Gallatin witnesses a crowd of shoppers frantically pulling items off the shelves as both sides attack naval targets in the Persian Gulf. Jim prepares his cellar as a bomb shelter for his family. People start to flee Kansas City, and the Emergency Broadcast System is activated. NATO attempts to halt the advance by airbursting three nuclear warheads over Soviet troops, while a Soviet nuclear device destroys the NATO headquarters in Brussels. U.S. Air Force personnel aboard the SAC Airborne Command Post receive notification of an incoming wave of 300 ICBMs. The launch order comes in from the U.S. President for a full nuclear strike on the Soviet Union. People in and around Kansas City watch in horror as hundreds of ICBMs are launched. The Soviet Union is the first to launch an intercontinental nuclear attack, but it is unclear which side used nuclear weapons first in Europe.

McCoy flees his now-empty silo, telling his fellow airmen the war is effectively over. A high-altitude nuclear explosion's EMP disables vehicles and destroys the power grid. Nuclear missiles rain across the region on both military and civilian targets. Kansas City's last minutes are frantic; panicked crowds flood the streets, and cars jam the highways out of the city. As the Soviet missiles arrive, nuclear blasts completely destroy Kansas City and numerous places nearby: Bruce, Helen and Marilyn Oakes, the Hendrys, and McCoy's family are among the many thousands of people incinerated, while the young Danny Dahlberg is flash-blinded by a nuclear detonation many miles away. Dr. Oakes, stranded on the highway, walks to University Hospital at Lawrence, takes charge, and begins treating patients. Klein finds the Dahlberg home and begs for refuge in the family's basement, which is granted.

Oakes receives fallout reports by shortwave from KU professor Joe Huxley in the science building: travel outdoors is fatal. Patients continue to come and supplies dwindle. Delirious after days in the basement shelter, Denise runs outside; Klein retrieves her, but both are exposed to the thick radioactive dust. McCoy heads towards Sedalia until he learns of its destruction from passing refugees. He befriends a mute man and travels to the hospital, where he dies of radiation poisoning. Oakes bonds with Nurse Nancy Bauer, who later dies of meningitis, and a pregnant woman pleads with him to tell her she's wrong to be hopeless.

In a radio speech, the U.S. President announces a ceasefire, promises relief, and stresses no surrender and a reliance on American principles, set to shots of filthy, listless, or dead Americans among the ruins. Attempts at aid from the National Guard and infrastructural redevelopment prove fruitless, and summary executions for looting and other offenses become commonplace. Jim Dahlberg (and, it is implied, his remaining family) is eventually killed by squatters, while Denise, Klein, and Oakes are wasting away from radiation sickness. Returning to an irradiated Kansas City to see his old home one last time, Oakes witnesses National Guardsmen blindfolding and executing looters. He finds squatters in the ruins of his home and attempts to drive them off, but is instead offered food. Oakes collapses and weeps, and one of the squatters comforts him. The film ends with an overlying audio clip of Huxley's voice on the radio as the screen fades to black, asking if anybody can still hear him, only to be met with silence until the credits, as a Morse code signal transmits a single message to the viewer: M-A-D.

Most versions of The Day After include a textual ending disclaimer just before the end credits, stating that the film is fictional and that the real-life outcome of a nuclear war would be much worse than the events portrayed onscreen.

Cast

The Oakeses Jason Robards as Dr. Russell Oakes Georgann Johnson as Helen Oakes Kyle Aletter as Marilyn Oakes

The Dahlbergs John Cullum as Jim Dahlberg Bibi Besch as Eve Dahlberg Lori Lethin as Denise Dahlberg Doug Scott as Danny Dahlberg Ellen Anthony as Joleen Dahlberg

Hospital staff JoBeth Williams as Nurse Nancy Bauer Calvin Jung as Dr. Sam Hachiya Lin McCarthy as Dr. Austin Rosanna Huffman as Dr. Wallenberg George Petrie as Dr. Landowska Jonathan Estrin as Julian French Wayne Knight as Man in Hospital

Others Steve Guttenberg as Stephen Klein John Lithgow as Joe Huxley Amy Madigan as Alison Ransom William Allen Young as Airman First Class Billy McCoy Jeff East as Bruce Gallatin Dennis Lipscomb as Reverend Walker Clayton Day as Dennis Hendry Antonie Becker as Ellen Hendry Stephen Furst as Aldo Arliss Howard as Tom Cooper Stan Wilson as Vinnie Conrad Harry Bugin as Man at phone

Production

The Day After was the idea of ABC Motion Picture Division President Brandon Stoddard, who, after watching The China Syndrome, was so impressed that he envisioned creating a film exploring the effects of nuclear war on the United States.https://uk.movies.yahoo.com/the-day-after-nuclear-war-drama-traumatised-america-084013973.html?guccounter=1&guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAADELNysbx0f8GnNTYtw05_aXxpqCsfk8BMv1vq0sL_UwWldcMyvgb20Rf27rGNtoSwQkYe7MnY3ac_88Pyu1kE5DOChxtfcELYlA86TYadyIwEc1cvrTJZuUkYnTADBydLPi-V5R5NncngP1PLxVpolrW1QzWsi83cjb70wt_gmI Stoddard asked his executive vice president of television movies and miniseries, Stu Samuels, to develop a script. Samuels created the title The Day After to emphasize that the story was about, not a nuclear war itself, but the aftermath. Samuels suggested several writers, and eventually, Stoddard commissioned the veteran television writer Edward Hume to write the script in 1981. ABC, which financed the production, was concerned about the graphic nature of the film and how to portray the subject appropriately on a family-oriented television channel. Hume undertook a massive amount of research on nuclear war and went through several drafts until ABC finally deemed the plot and characters acceptable.

Originally, the film was based more around and in Kansas City, Missouri. Kansas City was not bombed in the original script although Whiteman Air Force Base was, which made Kansas City suffer shock waves and the horde of survivors staggering into town. There was no Lawrence, Kansas in the story although there was a small Kansas town called "Hampton." While Hume was writing the script, he and the producer Robert Papazian, who had great experience in on-location shooting, took several trips to Kansas City to scout locations and met with officials from the Kansas film commission and from the Kansas tourist offices to search for a suitable location for "Hampton." It came down to a choice of either Warrensburg, Missouri, and Lawrence, Kansas, both college towns. Warrensburg was home of Central Missouri State University and was near Whiteman Air Force Base, and Lawrence was home of the University of Kansas and was near Kansas City. Hume and Papazian ended up selecting Lawrence because of the access to a number of good locations: a university, a hospital, football and basketball venues, farms, and a flat countryside. Lawrence was also agreed upon as being the "geographic center" of the United States. The Lawrence people were urging ABC to change the name "Hampton" to "Lawrence" in the script.

Back in Los Angeles, the idea of making a TV movie showing the true effects of nuclear war on average American citizens was still stirring up controversy. ABC, Hume, and Papazian realized that for the scene depicting the nuclear blast, they would have to use state-of-the-art special effects and so took the first step by hiring some of the best special effects people in the business to draw up some storyboards for the complicated blast scene. ABC then hired Robert Butler to direct the project. For several months, the group worked on drawing up storyboards and revising the script again and again. Then, in early 1982, Butler was forced to leave The Day After because of other contractual commitments. ABC then offered the project to two other directors, who both turned it down. Finally, in May, ABC hired the feature film director Nicholas Meyer, who had just completed the blockbuster Star Trek II: The Wrath of Khan. Meyer was apprehensive at first and doubted ABC would get away with making a television film on nuclear war without the censors diminishing its effect. However, after reading the script, Meyer agreed to direct The Day After.

Meyer wanted to make sure that he would film the script he was offered. He did not want the censors to censor the film or the film to be a regular Hollywood disaster movie from the start. Meyer figured the more The Day After resembled such a film, the less effective it would be, and he preferred to present the facts of nuclear war to viewers. He made it clear to ABC that no big TV or film stars should be in The Day After. ABC agreed but wanted to have one star to help attract European audiences to the film when it would be shown theatrically there. Later, while flying to visit his parents in New York City, Meyer happened to be on the same plane with Jason Robards and asked him to join the cast.