Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist, and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and programmatic music. He consolidated the emerging concerto form, especially the solo concerto, into a widely accepted and followed idiom.
Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than fifty operas. His best-known work is a series of violin concertos known as The Four Seasons. Many of his compositions were written for the all-female music ensemble of the , a home for abandoned children in his native Venice.
Vivaldi began studying for the Catholic priesthood at the age of 15 and was ordained at 25, but was given dispensation to no longer say public Masses because of a health problem. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua, and Vienna. After meeting the Emperor Charles VI, he moved to Vienna, hoping for royal support, but the Emperor died soon after his arrival, and Vivaldi died in poverty less than a year later.
After almost two centuries of decline, Vivaldi's musical reputation underwent a revival in the early 20th century, with much scholarly research devoted to his work. Many of his compositions, once thought lost, have been rediscovered some as recently as 2015.New Discoveries of Vivaldi. Scaramuccia Ensemble. Retrieved 27 October 2023. His music remains widely popular in the present day and is regularly played all over the world.
Early life Birth and background
Antonio Vivaldi was born on 4 March 1678 in Venice, then the capital of the Republic of Venice. He was the son of Giovanni Battista Vivaldi and Camilla Calicchio, as recorded in the register of San Giovanni in Bragora.
He was baptized immediately after his birth at his home by the midwife, which has provoked speculation about the reason. Most likely, it was done because of poor health. There is a false rumor that an earthquake struck the city that day. This rumor may have originated from an earthquake that struck Venice on 17 April 1688. The baptismal ceremonies that had been omitted were supplied two months later.
Vivaldi had five known siblings: Bonaventura Tomaso, Margarita Gabriela, Cecilia Maria, Francesco Gaetano, and Zanetta Anna. Vivaldi's health was problematic. One of his symptoms, ("tightness of the chest"), has been interpreted as a form of asthma. This did not prevent him from learning to play the violin, composing, or taking part in musical activities, although it prevented him from playing wind instruments.
Youth His father, Giovanni Battista, was a barber before becoming a professional violinist and was one of the founders of the , an association of musicians. He taught Antonio to play the violin and then took him on tour around Venice, playing the violin with him. Antonio was probably taught at an early age, judging by the extensive musical knowledge he had acquired by the age of 24, when he started working at the (Devout Hospital of Mercy), an orphanage in Venice.
The president of the was Giovanni Legrenzi, an early Baroque composer and the at St Mark's Basilica. It is possible that Legrenzi gave the young Antonio his first lessons in composition. Vivaldi's father might have also been a composer: in 1689, an opera titled was composed by a Giovanni Battista Rossi—the name under which Vivaldi's father had joined the Sovvegno di Santa Cecilia.
In 1693, at the age of fifteen, he began studying to become a priest. He was ordained in 1703, aged 25, and was soon nicknamed , "The Red Priest"; is Italian for "red" and would have referred to the color of his hair, a family trait.
Career Ospedale della Pietà Although Vivaldi is most famous as a composer, he was regarded as an exceptional technical violinist as well. The German architect Johann Friedrich Armand von Uffenbach referred to Vivaldi as "the famous composer and violinist", and noted in his diary: "Vivaldi played a solo accompaniment excellently, and at the conclusion he added a free fantasy [an improvised cadenza] which absolutely astounded me, for it is hardly possible that anyone has ever played, nor ever will play, in such a fashion." Travelling in Italy, he noted in his diary, on the occasion of an opera performance in the Teatro Sant' Angelo in the spring of 1715: ... towards the end, Vivaldi played an accompagnement solo, ... which quite shocked me, ... because his fingers came only within a straw’s breadth of the bridge, so that there was no space for the bow, and this on all 4 strings with fugues and a velocity which is unbelievable, he astonished everyone with it – Wiener Urtext Edition. In September 1703, Vivaldi (24) became (master of violin) at the ; although his talents as a violinist probably secured him the job, he soon became a successful teacher of music there.
Over the next thirty years he composed most of his major works while working at the Ospedale. There were four similar institutions in Venice; their purpose was to give shelter and education to children who were abandoned or orphaned, or whose families could not support them. They were financed by funds provided by the Republic. The boys learned a trade and had to leave when they reached the age of fifteen. The girls received a musical education, and the most talented among them stayed and became members of the Ospedale's renowned orchestra and choir.
Shortly after Vivaldi's appointment, the orphans began to gain appreciation and esteem abroad, too. Vivaldi wrote concertos, cantatas and sacred vocal music for them. These sacred works, which number over 60, are varied: they included solo motets and large-scale choral works for soloists, double chorus, and orchestra. In 1704, the position of teacher of viola all'inglese was added to his duties as violin instructor. The position of maestro di coro, which was at one time filled by Vivaldi, required a lot of time and work. He had to compose an oratorio or concerto for every feast, and also both teach the orphans music theory, and how to play certain instruments.
His relationship with the board of directors of the Ospedale was often strained. The board had to vote every year on whether to keep a teacher. The vote on Vivaldi was seldom unanimous and went 7 to 6 against him in 1709. In 1711, after a year as a freelance musician, he was recalled by the Ospedale with a unanimous vote; clearly during his year's absence the board had realized the importance of his role. He became responsible for all of the musical activity of the institution when he was promoted to maestro de' concerti (music director) in 1716 and responsible for composing two new concertos every month.
In 1705, the first collection of his works was published by Giuseppe Sala. His Opus 1 is a collection of 12 sonatas for two violins and basso continuo, in a conventional style. In 1709, a second collection of 12 sonatas for violin and basso continuo appeared (Opus 2). A real breakthrough as a composer came with his first collection of 12 concerti for one, two, and four violins with strings, L'estro armonico (Opus 3), which was published in Amsterdam in 1711 by Estienne Roger, and dedicated to Grand Prince Ferdinand of Tuscany. The prince sponsored many musicians, including Alessandro Scarlatti and George Frideric Handel. He was a musician himself, and Vivaldi probably met him in Venice. L'estro armonico was a resounding success all over Europe. It was followed in 1714 by La stravaganza (Opus 4), a collection of concerti for solo violin and strings, and dedicated to an old violin student of Vivaldi's, the Venetian noble Vettor Dolfin.
In February 1711, Vivaldi and his father traveled to Brescia, where his setting of the Stabat Mater (RV 621) was played as part of a religious festival. The work seems to have been written in haste: the string parts are simple, the music of the first three movements is repeated in the next three, and not all the text is set. Nevertheless, perhaps in part because of the forced essentiality of the music, the work is considered to be one of his early masterpieces. Despite his frequent travels from 1718, the Ospedale paid him 2 sequins to write two concerti a month for the orchestra and to rehearse with them at least five times when in Venice. The orphanage's records show that he was paid for 140 concerti between 1723 and 1733.
Opera impresario
In early 18th-century Venice, opera was the most popular musical entertainment. It proved most profitable for Vivaldi. There were several theaters competing for the public's attention. Vivaldi started his career as an opera composer as a sideline: his first opera, Ottone in villa (RV 729) was performed not in Venice, but at the Garzerie Theater in Vicenza in 1713. The following year, Vivaldi became the impresario of the Teatro San Angelo in Venice, where his opera Orlando finto pazzo (RV 727) was performed. The work was not to the public's taste, and it closed after a couple of weeks, being replaced with a repeat of a different work already given the previous year.
In 1715, he presented Nerone fatto Cesare (RV 724, now lost), with music by seven different composers, of which he was the leader. The opera contained eleven arias and was a success. In the late season, Vivaldi planned to put on an opera entirely of his own creation, Arsilda, regina di Ponto (RV 700), but the state censor blocked the performance. The main character, Arsilda, falls in love with another woman, Lisea, who is pretending to be a man. Vivaldi got the censor to accept the opera the following year, and it was a resounding success.
During this period, the Pietà commissioned several liturgical works. The most important were two oratorios. Moyses Deus Pharaonis, (RV 643) is now lost. The second, Juditha triumphans (RV 644), celebrates the victory of the Republic of Venice against the Turks and the recapture of the island of Corfu. Composed in 1716, it is one of his sacred masterpieces. All eleven singing parts were performed by girls of the orphanage, both the female and male roles. Many of the arias include parts for solo instruments—recorders, oboes, violas d'amore, and mandolins—that showcased the range of talents of the girls.
Also in 1716, Vivaldi wrote and produced two more operas, L'incoronazione di Dario (RV 719) and La costanza trionfante degli amori e degli odi (RV 706). The latter was so popular that it was performed two years later, re-edited and retitled Artabano re dei Parti (RV 701, now lost). It was also performed in Prague in 1732. In the years that followed, Vivaldi wrote several operas that were performed all over Italy.
His progressive operatic style caused him some trouble with more conservative musicians such as Benedetto Marcello, a magistrate and amateur musician who wrote a pamphlet denouncing Vivaldi and his operas. The pamphlet, Il teatro alla moda, attacks the composer even though it does not mention him directly. The cover drawing shows a boat (the San Angelo), on the left end of which stands a little angel wearing a priest's hat and playing the violin. The Marcello family claimed ownership of the Teatro San Angelo, and a long legal battle had been fought with the management for its restitution, without success. The obscure text under the engraving mentions non-existent places and names: for example, ALDIVIVA is an anagram of "A. Vivaldi".