The Karla Caves, Karli Caves, Karle Caves or Karla Cells, are a complex of ancient Buddhist Indian rock-cut caves at Karli near Lonavala, Maharashtra. It is just 10.9 Kilometers away from Lonavala. Other caves in the area are Bhaja Caves, Patan Buddhist Cave, Bedse Caves and Nasik Caves. The shrines were developed over the period from the 2nd century BCE to the 5th century CE. The oldest of the cave shrines is believed to date back to 160 BCE, having arisen near a major ancient trade route, running eastward from the Arabian Sea into the Deccan.
The group at Karla is one of the older and smaller of the many rock-cut Buddhist sites in Maharashtra. It is one of the best-known because of the famous "Grand Chaitya" (Cave 8), the largest and most completely preserved chaitya hall of the period, containing unusual quantities of fine sculpture on a large scale.Michell, 374
Many traders, Western Satraps of Saka origin and Satavahana rulers made grants for construction and support of these caves. Karla's location in Maharashtra places it in a region that marks the division between North India and South India. Buddhists, having become identified with commerce and manufacturing through their early association with traders, tended to locate their monastic establishments in natural geographic formations close to major trade routes so as to provide lodging houses for travelling traders. Today, the cave complex is a protected monument under the Archaeological Survey of India.
Affiliation The caves were historically associated with the Mahāsāṃghika sect of Buddhism which had great popularity in this region of India, as well as wealthy patronage.Dutt, Nalinaksha. Buddhist Sects in India. 1998. p. 62Gadkari, Jayant. Society and Religion: From Rgveda to Puranas. 1996. p. 198 The caves house a Buddhist monastery dating back to the 2nd century BC. The monastery was once home to two 15-meter grand pillars outside the chaitya. Now only one of these remains, and the remaining space is occupied by a temple dedicated to the goddess Ekveera, who is worshipped most notably by the Aagri and Koli community of Mumbai.
Architecture
The Karla cave complex is built into a rocky hillside around from Pune, with large windows cut into the rock to light the cave interiors. The caves are among a large numbers of similar caves excavated in the Sahyadri Hills in the early 1st millennium CE. There are altogether 16 caves in the group, with 3 of them being Mahayana caves. Most of the caves are lenas, with the major exception being the Great Chaitya, Cave No. 8.
Great Chaitya cave The main cave, called the Great Chaitya cave, or Cave No. 8, features a large, intricately carved chaitya within a prayer hall, dating back to 50-70 CE. This is the largest rock-cut chaitya in India, measuring long and up to high. The hall features sculptures of both males and females, as well as animals such as lions and elephants.
Patrons
This Great Chaitya cave, the largest in South Asia, was probably constructed between 50 and 70 CE according to the paleography of the various donatory inscriptions. Numerous donors, mainly local merchants, several of them Yavanas (Greeks), as well as numerous Buddhist monks and nuns, provided donations for the construction of the chaitya cave, as recorded by their dedicatory inscriptions. An inscription among the sculpted decorations at the left end of the veranda mentions the completion of "this stone mansion" by a local merchant or banker (a "setthi") named Bhutapala, from Vaijayanti, but this may only refer to the completion of the ornate sculptures of the veranda."The claim of Bhutapala, the merchant (sethi) from Vejayanti, that he completed this stone mansion, the finest in all of India (jambudipamhi utamam selaghara parinithapitam), is intriguing. He makes this claim in an inscription at the left end of the veranda. It is possible that he refers to the many-storeyed mansion in relief on the walls of the veranda when he speaks of the finest selaghara in all of Jambudvipa; on the other hand, the word ghara has clearly been used by the carpenter Sami to indicate the chaitya as a whole. If Bhutapala's claim relates to the chaitya itself, it is probable that he arrived on the scene at the critical period when the chaitya was in its finishing stages, and helped to complete it with numerous small donations"
Upon completion, an inscription mentioning the Western Satraps ruler Nahapana was placed next to the central gate, reporting the dedication of a village to the monks of the Karla chaitya by Nahapana's son-in-law Ushavadata. But neither Nahapana nor Ushavadata are directly mentioned as having created or completed the Karla chaitya itself,World Heritage Monuments and Related Edifices in India, Volume 1 ʻAlī Jāvīd, Tabassum Javeed, Algora Publishing, 2008 p.42Southern India: A Guide to Monuments Sites & Museums, by George Michell, Roli Books Private Limited, 1 mai 2013 p.72"This hall is assigned to the brief period of Kshatrapas rule in the western Deccan during the 1st century." in Guide to Monuments of India 1: Buddhist, Jain, Hindu - by George Michell, Philip H. Davies, Viking - 1989 Page 374 although Ushavadata is otherwise known to have built and dedicated a cave with similar design characteristics not far away: Nasik Cave No. 10.The cave temples of India, Fergusson, James, W.H. Allen &Co p.267ff (Public domain text)
About a generation after Nahapana, the Satavahana ruler Vasishthiputra Pulumavi (130-159 CE) also left a dedicatory inscription on the other side of the central gate.Royal patronage of Buddhism in ancient India, by Kanai Lal Hazra - 1984 - Page 176
Numerous decorative panels representing the Buddha with attendants were later added to the veranda during the Mahayana period, and have been dated to the 6th century CE.
Comparative chronology
The Great Chaitya cave of Karla follows, but improves upon, several other Chaitya caves which had been built in Western India under royal sponsorship. It is thought that the chronology of these early Chaitya Caves is as follows: first Cave 9 at Kondivite Caves, then Cave 12 at the Bhaja Caves and Cave 10 of Ajanta Caves, around the 1st century BCE. Then, in chronological order: Cave 3 at Pitalkhora, Cave 1 at Kondana Caves, Cave 9 at Ajanta, which, with its more ornate designs, may have been built about a century later, Cave 18 at Nasik Caves, and Cave 7 at Bedse Caves, to finally culminate with the "final perfection" of the Great Chaitya at Karla Caves.
Characteristics The chaitya follows the usual pattern for the period, but is unusually large. It is exceptional for preserving original elements in wood: the prominent lateral ribs and other roof timbers, and the umbrella over the stupa. The chaitya hall only survives in rock-cut examples, but these replicate in stone the form of examples in wood and thatch. In most rock-cut chaityas, the roof timbers are replicated in stone, to considerable visual effect, but in others actual timber was used, for purely aesthetic rather than structural reasons. In most of these cases the timber has long decayed away, as for example in the chaitya at Cave 3, Kanheri Caves. Here, although some were replaced under Lord Curzon in the 19th century, most are original.Michell, 374; Harle, 48 and note 21 at 493
R. C. Majumdar quoting James Fergusson explains:
Great Chaitya Cave at Karla General viewsGreat Chaitya Cave at the extreme right It is certainly the largest as well as the most complete chaitya cave known in India, and was excavated at a time when the style was in its greatest purity. In it all the architectural defects of the previous examples are removed: the pillars of the nave are quite perpendicular. The screen is ornamented with sculpture -its first appearance apparently in such a position- and the style had reached a perfection that was never afterwards surpassed. The general dimensions of the interior are 124 ft. 3 in. from the entrance to the back wall, by 45 ft. 6 in. in width. The side-aisles, however, are quite narrow, the central one being 25 ft. 7 in., so that the others are only 10 ft. wide, including the thickness of the pillars. In height, however, Karla is only 45 ft. from the floor to the apex. In advance of the Chaitya stands the lion-pillar, in this instance a plain shaft with sixteen flutes, or rather faces, surmounted by a capital not unlike that at Kesariya, but at Karle supporting four lions instead of one. They seem almost certainly to have supported a chakra or Buddhist wheel. A similar pillar probably stood on the opposite side, but it had either fallen or been removed to make way for the little Hindu temple that now occupies its place. VerandaLeft veranda panel and portion of the entrance The outer porch, or veranda, is considerably wider than the body of the building, being 52 ft. wide by 15 ft. deep, and is closed in front by a screen composed of two stout octagonal pillars, without either base or capital, supporting what is now a plain mass of rock, but which was once ornamented by a wooden gallery forming the principal ornament of the facade. Above this a dwarf colonnade or attic of four columns between pilasters admitted light to the great window, and this again was surmounted by a wooden cornice or ornament of some sort. EntrancePanorama of the entranceThe entrance, consists of three doorways under a gallery, one leading to the center, and one to each of the side-aisles; and over the gallery the whole end of the hall is open, as in all chaitya halls, forming one great window, through which all the light is admitted. This great window is formed in the shape of a horseshoe, and exactly resembles those used as ornaments on the facade of this cave, as well as on those of Bhaja, Bedsa, and at Nasik, and which are met with everywhere at this age. Within the arch is a framework or centering of wood standing free. It is, like the ribs of the interior, coeval with the building. The sculpture on the screen wall between the doors is mostly of much later date than the cave itself. All the figures of Buddha there represented are of late date and belong to the Mahayana school: these decorative panels next to the main entrance have been dated to the 6th century CE. The larger pairs of figures with Mithuna couples, however, are earlier and may be original. The later inscriptions are of the time of the Satavahana king Pulumavi.Text adapted from public domain History of Indian and Eastern architecture by Fergusson, James, 1910 p.142ff HallHall of the Great Chaitya Cave at Karla (120 CE) The interior is solemn and grand. An undivided volume of light coming through a single opening overhead at a very favorable angle, and falling directly on the dagoba or principal object in the building, leaving the rest in comparative obscurity. The effect is considerably heightened by the closely set thick columns that divide the aisles from the nave, as they suffice to prevent the boundary walls from ever being seen, and, as there are no openings in the walls, the view between the pillars is practically unlimited.Immediately under the semidome of the apse, and nearly where the altar stands in Christian churches, is placed the Dagoba, in this instance a plain dome, on a two-storeyed circular drum, the upper margins of each section being carved with rail ornaments. Just under the lower of these are holes or mortices for woodwork, which may have been adorned with hangings, which some of the sculptured representations would lead us to suppose was the usual mode of ornamenting these altars. It is surmounted by a capital or Tee, and on this still stand the remains of an umbrella in wood, somewhat decayed and distorted by age. This canopy was circular and minutely carved on the under surface.