Being Funny in a Foreign Language

Being Funny in a Foreign Language is the fifth studio album by English band the 1975. It was released on 14 October 2022 by Dirty Hit. The album was recorded primarily at Real World Studios in Wiltshire. The band released the lead single "Part of the Band" on 7 July 2022, which was followed by the subsequent singles "Happiness", "I'm in Love with You", "All I Need to Hear", "About You", "Oh Caroline", and "Looking for Somebody (To Love)".

Upon release, the album received acclaim from critics, with many reviewers naming it some of the band's strongest work. Several publications such as NME, Billboard, Pitchfork, Rolling Stone, and Variety listed it as one of the best releases of 2022. It debuted atop the UK Albums Chart as well as reaching number one in Scotland, Ireland and Australia. It also reached the top 10 in New Zealand, Japan, Canada, the Netherlands and the United States. The album was nominated for Album of the Year at the 2023 Brit Awards.

Background Many of the band's 2020 shows that were postponed due to the COVID-19 pandemic were ultimately cancelled on 12 January 2021. During this time, lead singer Matty Healy teased future music under their previous name "Drive Like I Do", and said that the band was working on their fifth studio album. However, there was no indication as to when writing, recording, or mixing would be finished.

On 14 February 2022, the band deactivated their main social media accounts, hinting at new material.

The album title and track listing were revealed to select fans through postcards. The band released its first single from the album "Part of the Band" on 7 July 2022. The second single, "Happiness", was released on 3 August 2022. The third single, "I'm in Love with You", was released on 1 September 2022. The fourth single, "All I Need to Hear", was released on 21 September 2022.

Recording and production

Writing sessions for what would eventually become Being Funny in a Foreign Language started in 2021, when the band worked on-and-off with producer BJ Burton, whom Healy admired for his production work on Bon Iver's 22, A Million (2016) and Low's Double Negative (2018) and Hey What (2021). During their time together, Burton noticed that his creative process varied greatly from the band's, as they would "[pull] up songs from Spotify, or [check] another reference for a chord progression" while writing. He set out to align their differences, and eventually they did record what amounted to be "sparks where songs were being bred ... a bunch of early demos", but after Burton heard that the band began working with producer Jack Antonoff, he ended the sessions. In an August 2022 interview with Pitchfork, Burton indicated that the band's creative pivot still "stung", though Healy indicated he was hoping to rekindle his working relationship with Burton for a future album.

When recording with Antonoff, the band was determined to focus on their instrumental strong-suits and keep things as live and unadulterated by computers as possible. In an interview with Apple Music 1, Healy amounted the process to outright defining the true sonic identity of the band, while host Zane Lowe described it as the next step for a band with "such restless energy" as the 1975. Lowe cited that the band had "exhausted" their stylistic exploration and had reached a point of reflection on their improved technical skill in this record. Similarly to Burton, Healy sought out to work with Antonoff, whom he called the "biggest producer in the world" out of respect for his production capabilities, specifically his work with American singer-songwriter Lana Del Rey. However, Healy made it clear to Antonoff that he retained full creative control of the recording process while working together. While writing for the album, Healy would revisit and spend time in the band's native Manchester to finalise lyrics.

Promotion To support the album, the band embarked on a world tour titled At Their Very Best in 2022. This was followed by an arenas tour titled Still... At Their Very Best the following year.

Critical reception

Being Funny in a Foreign Language received critical acclaim upon its release. At Metacritic, which assigns a normalised rating out of 100 based on reviews from mainstream critics, the album received a score of 82 out of 100, based on reviews from 16 critics, indicating "universal acclaim". The album was rated an 7.6 out of 10 on the aggregator AnyDecentMusic?.

Brady Brickner-Wood of Pitchfork wrote that the album "tames the group's taste for excess and plays up their fundamentals: goopy '80s guitars, pumping drums, schmaltzy saxophones, and infuriatingly good hooks" and praised the band's experimentation, noting that "even when their songs reek of camp, Healy has enough moxie to elevate a potentially horrible idea into an eloquent exclamation point". El Hunt, writing for NME, noted how the band "tightened things up" on Being Funny in a Foreign Language, calling Healy's songwriting on the album "his most contradictory and intriguing yet, frequently turning his pen back on himself", concluding that the record "feels like the right next step after pushing experimental excess to its logical conclusion, and is comparatively lean with just eleven tracks to its name. 'The 1975: At Their Very Best' – the lofty, and slightly tongue-in-cheek title they've given to their upcoming tour – might be infuriatingly, brilliantly cocky, but let's face facts: it's also pretty accurate."

Year-end lists +Select year-end rankings of Being Funny in a Foreign Language Publication List Rank BillboardThe 50 Best Albums of 202216ClashClash's Albums of the Year48DIYDIY's Albums of 20228Entertainment WeeklyThe 10 Best Albums of 202210EsquireThe 25 Best Albums of 2022*Far OutThe 50 Best Albums of 202246GigwiseGigwise's 51 Best Albums of 20223InsiderThe 20 Best Albums of 202211The GuardianThe 50 Best Albums of 202226Los Angeles TimesThe 20 best albums of 2022*New York TimesBest Albums of 2022*NMEThe 50 Best Albums of 202210PitchforkThe 50 Best Albums of 202233Rolling StoneBest Music of 2022*Slant MagazineThe 50 Best Albums of 202237SlateThe Best Albums of 2022*StereogumThe 50 Best Albums of 202217Under the RadarThe 100 Best Albums of 202221UproxxBest Albums of 202213VarietyThe Best Albums of 20229

Track listing

Note "Human Too" was removed from streaming services on 4 November 2025, with Healy saying that the change was made "so the album is more how [he wants] it to be".

Personnel Credits adapted from the album's liner notes.

The 1975 Matthew Healy – vocals, guitar, drums, piano, Clavinet, percussion, string arrangements, production, creative direction George Daniel – drums, programming, keyboards, synthesizers, backing vocals, piano, percussion, string arrangements, production Adam Hann – guitar, programming, backing vocals, keyboards Ross MacDonald – bass, double bass, keyboards, backing vocals

Additional musicians Jack Antonoff – programming, guitar, piano, drums, backing vocals, violin, keyboards, synthesizers, string arrangements Tommy King – keyboards, synthesizers BJ Burton – programming, synthesizers Sabrina the Teenage DJ – programming Jamie Squire – backing vocals, piano, Wurlitzer, Clavinet, synthesizers, organ, acoustic guitar John Waugh – saxophone Evan Smith – brass Bobby Hawk – strings, string arrangements Warren Ellis – strings, string arrangements Michelle Zauner – backing vocals Oli Jacobs – Wurlitzer Carly Holt – additional vocals Zem Audu – saxophone Ben Hudson – additional programming (track 10)

Technical Jack Antonoff – production BJ Burton – additional production (tracks 1, 5) Laura Sisk – engineering Oli Jacobs – engineering Dom Shaw – engineering assistance Katie May – engineering assistance Freddy Williams – engineering assistance John Rooney – engineering assistance Dani Perez Carasols – engineering assistance Liam Hebb – engineering assistance Evan Smith – additional engineering Jon Gautier – additional engineering Andrew Gearhart – additional engineering Dave Gross – additional engineering Manny Marroquin – mixing Chris Galland – mix engineering Robin Florent – mixing assistance (1) Scott Desmarais – mixing assistance (1) Jeremie Inhaber – mixing assistance (1) Robin Schmidt – mastering

Visuals Samuel Burgess-Johnson – artwork, creative direction Samuel Bradley – photography Patricia Villirillo – creative direction Ed Blow – creative direction

Charts

Weekly charts + Weekly chart performance for Being Funny in a Foreign Language Chart (2022) Peakposition Japanese Combined Albums (Oricon) 12 Japanese Hot Albums (Billboard Japan) 10 Lithuanian Albums (AGATA) 40 New Zealand Albums (RMNZ) 4 Swedish Albums (Sverigetopplistan) 17

Year-end charts + Year-end chart performance for Being Funny in a Foreign Language Chart (2022) Position UK Albums (OCC) 77

Certifications

Being Funny in a Foreign Language

Bron en licentie