Anton Pavlovich Chekhov (; ; – ) was a Russian playwright, short story writer, and physician. Widely considered one of the greatest writers of all time, his career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. Chekhov was a physician by profession. "Medicine is my lawful wife," he once said, "and literature is my mistress."
Chekhov renounced the theatre after the reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Konstantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text."
Chekhov began writing stories to earn money, but as his artistic ambition grew, he made formal innovations that influenced the evolution of the modern short story."Tchehov's breach with the classical tradition is the most significant event in modern literature," John Middleton Murry, in Athenaeum, 8 April 1922, cited in Bartlett's introduction to About Love. He wrote that it is not the duty of writers to solve problems, but to correctly state them.
Biography
Childhood Anton Pavlovich Chekhov was born on the feast day of St. Anthony the Great on ) in Taganrog, a commercial port city on the Sea of Azov – on Politseyskaya (Police) street, later renamed Chekhova street – in southern Russia. He was the third of six surviving children; he had two older brothers, Alexander and Nikolai, and three younger siblings, Ivan, Maria, and Mikhail. His father, Pavel Yegorovich Chekhov, the son of a former serf and his wife,: Egor Mikhailovich Chekhov and Efrosinia Emelianovna was from the village Olkhovatka (Voronezh Governorate) and ran a grocery store. He was a director of the parish choir, a devout Orthodox Christian, and a physically abusive father. Pavel Chekhov has been seen by some historians as the model for his son's many portraits of hypocrisy. Chekhov's mother, Yevgeniya (Morozova), was an excellent storyteller who entertained the children with tales of her travels all over Russia with her cloth-merchant father. "Our talents we got from our father," Chekhov recalled, "but our soul from our mother."From the biographical sketch, adapted from a memoir by Chekhov's brother Mihail, which prefaces Constance Garnett's translation of Chekhov's letters, 1920.
Young Chekhov attended the Greek School in Taganrog and The Taganrog Boys Gymnasium (since renamed the Chekhov Gymnasium). There he was held back for a year at fifteen for failing an examination in Ancient Greek.Bartlett, pp. 4–5. He sang at the Greek Orthodox monastery in Taganrog and in his father's choirs. In a letter of 1892, he used the word "suffering" to describe his childhood and recalled:
Later, in his adulthood, Chekhov criticized his brother Alexander's treatment of his wife and children by reminding him of their father Pavel's tyranny: "Let me ask you to recall that it was despotism and lying that ruined your mother's youth. Despotism and lying so mutilated our childhood that it's sickening and frightening to think about it. Remember the horror and disgust we felt in those times when Father threw a tantrum at dinner over too much salt in the soup and called Mother a fool."
In 1876, Chekhov's father Pavel was declared bankrupt after overextending his finances building a new house, having been cheated by a contractor named Mironov. To avoid debtor's prison he fled to Moscow, where his two eldest sons, Alexander and Nikolai, were attending university. The family lived in poverty in Moscow. Chekhov's mother was physically and emotionally broken by the experience.Letter to cousin Mihail, 10 May 1877. Letters of Anton Chekhov.
Chekhov was left behind to sell the family's possessions and finish his education. He remained in Taganrog for three more years, boarding with a man by the name of Selivanov who, like Lopakhin in The Cherry Orchard, had bailed out the family for the price of their house. Chekhov had to pay for his own education, which he managed by private tutoring, catching and selling goldfinches, and selling short sketches to the newspapers, among other jobs. He sent every ruble he could spare to his family in Moscow, along with humorous letters to cheer them up.
As a teenager Chekhov fell in love with the Taganrog Theatre. He attended the theatre on a regular basis and became enchanted and inspired by productions of vaudevilles, Italian operas and popular comedies.Chekhov and Taganrog: Taganrog Theatre:
During that time, Chekhov read widely and analytically, including the works of Cervantes, Turgenev, Goncharov, and Schopenhauer,Letter to brother Mihail, 1 July 1876. Letters of Anton Chekhov. and wrote a full-length comic drama, Fatherless, which his brother Alexander dismissed as "an inexcusable though innocent fabrication." Chekhov also experienced a series of love affairs, one with the wife of a teacher. In 1879, Chekhov completed his schooling in Taganrog and moved in with his family in Moscow, having gained admission to the medical school at I.M. Sechenov First Moscow State Medical University.
Early writings Chekhov then assumed responsibility for the whole family. To support them and to pay his tuition fees, he wrote daily short, humorous sketches and vignettes of contemporary Russian life, many under pseudonyms such as "Antosha Chekhonte" (Антоша Чехонте) and "Man Without Spleen" (Человек без селезенки). His prodigious output gradually earned him a reputation as a satirical chronicler of Russian street life, and by 1882 he was writing for Oskolki (Fragments), owned by Nikolai Leykin, one of the leading publishers of the time. Chekhov's tone at this stage was harsher than that familiar from his mature fiction."There is in these miniatures an arresting potion of cruelty ... The wonderfully compassionate Chekhov was yet to mature." "Vodka Miniatures, Belching and Angry Cats", George Steiner's review of The Undiscovered Chekhov in The Observer, 13 May 2001. Retrieved 16 February 2007.
In 1884, Chekhov qualified as a physician, which he considered his principal profession though he made little money from it and treated the poor free of charge.
In 1884 and 1885, Chekhov found himself coughing blood, and in 1886 the attacks worsened, but he would not admit his tuberculosis to his family or his friends. He confessed to Leykin, "I am afraid to submit myself to be sounded by my colleagues."Letter to N.A.Leykin, 6 April 1886. Letters of Anton Chekhov. He continued writing for weekly periodicals, earning enough money to move the family into progressively better accommodations.
Early in 1886 he was invited to write for one of the most popular papers in St. Petersburg, Novoye Vremya (New Times), owned and edited by the millionaire magnate Alexey Suvorin, who paid a rate per line double Leykin's and allowed Chekhov three times the space. Suvorin was to become a lifelong friend, perhaps Chekhov's closest.: They only ever fell out once, when Chekhov objected to the anti-Semitic attacks in New Times against Dreyfus and Zola in 1898.In many ways, the right-wing Suvorin, whom Lenin later called "The running dog of the Tzar" (Payne, XXXV), was Chekhov's opposite; "Chekhov had to function like Suvorin's kidney, extracting the businessman's poisons."
Before long, Chekhov was attracting literary as well as popular attention. The sixty-four-year-old Dmitry Grigorovich, a celebrated Russian writer of the day, wrote to Chekhov after reading his short story "The Huntsman" thatThe Huntsman.. Retrieved 16 February 2007. "You have real talent, a talent that places you in the front rank among writers in the new generation." He went on to advise Chekhov to slow down, write less, and concentrate on literary quality.
Chekhov replied that the letter had struck him "like a thunderbolt" and confessed, "I have written my stories the way reporters write up their notes about fires—mechanically, half-consciously, caring nothing about either the reader or myself." The admission may have done Chekhov a disservice, since early manuscripts reveal that he often wrote with extreme care, continually revising. Grigorovich's advice nevertheless inspired a more serious, artistic ambition in the twenty-six-year-old. In 1888, with a little string-pulling by Grigorovich, the short story collection At Dusk (V Sumerkakh) won Chekhov the coveted Pushkin Prize "for the best literary production distinguished by high artistic worth."
Turning points
In 1887, exhausted from overwork and ill health, Chekhov took a trip to Ukraine, which reawakened him to the beauty of the steppe."There is a scent of the steppe and one hears the birds sing. I see my old friends the ravens flying over the steppe." Letter to sister Masha, 2 April 1887. Letters of Anton Chekhov. On his return, he began the novella-length short story "The Steppe", which he called "something rather odd and much too original", and which was eventually published in Severny Vestnik (The Northern Herald).Letter to Grigorovich, 12 January 1888. Quoted by . In a narrative that drifts with the thought processes of the characters, Chekhov evokes a chaise journey across the steppe through the eyes of a young boy sent to live away from home, and his companions, a priest and a merchant. "The Steppe" has been called a "dictionary of Chekhov's poetics", and it represented a significant advance for Chekhov, exhibiting much of the quality of his mature fiction and winning him publication in a literary journal rather than a newspaper."'The Steppe,' as Michael Finke suggests, is 'a sort of dictionary of Chekhov's poetics,' a kind of sample case of the concealed literary weapons Chekhov would deploy in his work to come." .
In autumn 1887, a theatre manager named Korsh commissioned Chekhov to write a play, the result being Ivanov, written in a fortnight and produced that November.From the biographical sketch, adapted from a memoir by Chekhov's brother Mikhail, which prefaces Constance Garnett's translation of Chekhov's letters, 1920. Though Chekhov found the experience "sickening" and painted a comic portrait of the chaotic production in a letter to his brother Alexander, the play was a hit and was praised, to Chekhov's bemusement, as a work of originality.Letter to brother Alexander, 20 November 1887. Letters of Anton Chekhov.
Although Chekhov did not fully realise it at the time, Chekhov's plays, such as The Seagull (written in 1895), Uncle Vanya (written in 1897), The Three Sisters (written in 1900), and The Cherry Orchard (written in 1903) served as a revolutionary backbone to what is common sense to the medium of acting to this day: an effort to recreate and express the realism of how people truly act and speak with each other. This realistic manifestation of the human condition may engender in audiences reflection upon what it means to be human.
This philosophy of approaching the art of acting has stood not only steadfast, but as the cornerstone of acting for much of the 20th century to this day. Mikhail Chekhov considered Ivanov a key moment in his brother's intellectual development and literary career. From this period comes an observation of Chekhov's that has become known as Chekhov's gun, a dramatic principle that requires that every element in a narrative be necessary and irreplaceable, and that everything else be removed.